Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
By this I mean that we no more have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Kent du Pre has Origami Easy Box done such work on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have made an appearance occasionally, however the most extreme form only occurs in Paper Miracle with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course strongly related to paper trimming. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive density. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Origami Box Rose Japanese Origami.
Uchiyama is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are filled with slitting to achieve ears or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the legs. Rohm folded his Festival pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved solely by folding.
In a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling That is now usual in animal folds to call for a final modelling particularly when foil has been used and one can make certain of the material remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modeling following the folding The technique of wetting the paper seems to be Japanese in origin was demonstrated by Origami Flower Yoshizawa at a Convention in Birmingham. Another method of damp moulding using paste in the preparation is mentioned by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be smooth and we are approaching statue rather than Origami.
Bateau en papier
The associated arts are Weaving cloth and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the finish to show the multi-layers Avion En Papier Planeur Pliage usually with different shades. In flower folding and possible doll-making the multi-layer technique is exploited for their own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to represent some part of the creature and then brought with each other. The concept may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have made an appearance for folding a monster from a number of squares of different sizes.
Comment faire un avion en papier
In the most extreme Origami Flower Pot combinations of water and document we are, naturally , in the world of fun which is plainly an open-ended art. DecoratingThe easiest step from the single color is one side female and one white or plain. A great offer of modern Origami exploits this colour difference. A delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs
in Japanese papers which are already printed with a design ideal for a special model. The end of this process is evidently the decoration of the final model and therefore into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then ribbon and finally string.
Fleur en papier
The slicing out of holes and so forth. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and plainly here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form we might use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or cards. One of the most unusual form of 'display mechanics' that I am familiar with is by Toyoaki Kawai.